A compelling and beautiful story about a girl who learns to live from a boy who's drawn to death. Theodore Finch tries to look for good things in the world, even if sometimes he doesn't always find them. Violet Markey exists for the future, counting the days until she can escape her Indiana town and its painful memories of her sister. When they meet on the ledge of a tower, what might have been their end turns into their beginning. It's only with Violet that Finch can truly be himself - a funny guy who actually wants to experience the joy in life. And when Violet's with Finch, she forgets to wish away the days and starts to live them. But as Violet's world grows, Finch's begins to shrink. He's trying to cling on to his bright places, but will it be enough this time?

I was supposed to be having the time of my life . . . Working as an intern for a New York fashion magazine in the summer of 1953, Esther Greenwood is on the brink of her future. Yet she is also on the edge of a darkness that makes her world increasingly unreal. Esther's vision of the world shimmers and shifts: day-to-day living in the sultry city, her crazed men-friends, the hot dinner dances . . . The Bell Jar, Sylvia Plath's only novel, is partially based on Plath's own life. It has been celebrated for its darkly funny and razor sharp portrait of 1950s society, and has sold millions of copies worldwide. ONE OF THE BBC'S '100 NOVELS THAT SHAPED OUR WORLD' 'As clear and readable as it is witty and disturbing.' New York Times Book Review Reader responses: 'Very readable, often darkly funny, and feels fresh.' 'Plath's masterpiece . . . It's amazing how relevant this book still is.' 'So enthralling . . . So thought provoking, so vivid, that it's thoroughly engrossing.' 'I just couldn't put it down.' 'Ever better than I expected.' 'Plath's underrated humour shines through this startling account of 1950s 'normality'.'

My hand in his stops trembling, for a moment. When the paths of a runaway teenage boy, an old hobo and a rich girl intersect in an abandoned train yard, each carries their own personal baggage. Over early mornings, long walks and cheap coffee they discover, no matter how big or small, it's the simple gifts in life that really make a difference. A life-affirming look at humanity, generosity and love.

Clay Jensen returns home from school to find a strange package with his name on it lying on his porch. Inside he discovers several cassette tapes recorded by Hannah Baker–his classmate and crush–who committed suicide two weeks earlier. Hannah’s voice tells him that there are thirteen reasons why she decided to end her life. Clay is one of them. If he listens, he’ll find out why.

Caden Bosch is on a ship that's headed for the deepest point on Earth: Challenger Deep, the southern part of the Marianas Trench.
Caden Bosch is a brilliant high school student whose friends are starting to notice his odd behaviour.
Caden Bosch pretends to join the school track team but spends his days walking for miles, absorbed by the thoughts in his head.
Caden Bosch is split between his allegiance to the captain and the allure of mutiny.
Caden Bosch is torn.

Sixteen-year-old Sarah can't draw. This is a problem, because as long as she can remember, she has "done the art." She thinks she's having an existential crisis. And she might be right; she does keep running into past and future versions of herself as she wanders the urban ruins of Philadelphia. Or maybe she's finally waking up to the tornado that is her family, the tornado that six years ago sent her once-beloved older brother flying across the country for a reason she can't quite recall. After decades of staying together "for the kids" and building a family on a foundation of lies and domestic violence, Sarah's parents have reached the end. Now Sarah must come to grips with years spent sleepwalking in the ruins of their toxic marriage. As Sarah herself often observes, nothing about her pain is remotely original and yet it still hurts.

Charlie is a shy and introspective teenage boy, a wallflower always standing on the edge of the action. We learn about him through the letters he writes to someone of an undisclosed name. Charlie encounters many of the struggles familiar to everybody from their school days, from making friends, first crushes, experimenting with drugs and sexuality, but he must also deal with his best friend's suicide and a shocking realisation about his beloved late Aunt Helen which challenges his very grip on reality

The hero-narrator of this novel is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices -- but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep.