Rear Window
Rear Window is a 1954 American Technicolor mystery thriller film directed by Alfred Hitchcock and written by John Michael Hayes based on Cornell Woolrich's 1942 short story "It Had to Be Murder". Originally released by Paramount Pictures, the film stars James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, and Raymond Burr. It was screened at the 1954 Venice Film Festival.
The film is considered by many filmgoers, critics, and scholars to be one of Hitchcock's best[3] and one of the greatest films ever made. The film received four Academy Award nominations and was ranked number 42 on AFI's 100 Years...100 Movies list and number 48 on the 10th-anniversary edition. In 1997, Rear Window was added to the United States National Film Registry in the Library of Congress as being "culturally, historically, or aesthetically significant". (Source: Wikipedia)
Themes
Rear Window themes (Schmoop)
Theme of dissatisfaction (Schmoop)
Theme of perseverance (Schmoop)
Theme: morality and ethics (Schmoop)
Theme of community (Schmoop)
Theme: freedom and confinement (Schmoop)
Theme: cunning, cleverness (Schmoop)
Articles
Critical analysis of "Rear Window" (blog post, "Jess, cinema and society")
"Rear Window": themes and ideas (blog post)
Filmsite movie review: Rear Window
Return of the 'missing' Hitchcocks (Village Voice, 1983, scanned)
Hitchcock: a brilliant career built on boyhood fears (CCS Video Journal, 1986, scanned)
Hitchcock the enunciator (Camera Obscura, 1977, scanned)
Hitchcock: master of the eloquent absurdity - download on web page (Steve Vertlieb)
The strange case of Lars Thorwald:rounding up the usual suspect in Rear Window (New Orleans Review, 1992)
A hitch in time (East Bay Express, 1983)
The critical anatomy of Alfred Hitchcock (Village Voice, 1983)
Another look through Hitchcock's Rear Window (Reader L.A., 1983)
Bringing up the rear (San Francisco Bay Guardian, 2002)
Rear Window (Variety, 2000)
Out of sight (Village Voice, 2000)
Backyard ethics (Reader, (Chicago) 2000)
How does Hitchcock use "Rear Window" to define gender roles in cinema of the time? (Screen Prism, 2015)
Critical analysis of Alfred Hitchcock's Rear Window (blog post, "Jess, cinema and society")